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The latest artworks, exhibitions and happenings in the studio of Sophia Wallace, a conceptual artist working in mixed media (b. 1978 Seattle, lives in Brooklyn, New York).


COLLECT Limited editions from the studio of Sophia Wallace.

WATCH Profile by ARTE - German TV
WATCH Museum Interview - KUNSTHALLE wien

WEBSITE SophiaWallace.com

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I’m so touched by what @mamasaysmercy wrote.  Thank you so much.
mamasaysmercy:

Sophia Wallace - Truer (sophiawallace.tumblr.com or sophiawallace.com)
I came across Sophia Wallace on my tumblr dashboard (from a tumblr blog I can no longer recall). Good thing she has tumblr, have a look.
Wallace’s portraits of queer women over a plain background or their daily lives are the opposite of exploitative; and the simple yet confrontational manner in which they look through the camera and at the viewer is of mutual respect— as though a barrier will or must exist, but not as one of exclusion or division but rather in recognition of personal private space of which her subjects have a right to possess. I feel that through her work, proper representation is achieved, and that it’s not something made for the purposes of fetishization or for homophobes to have a laugh at. The significance of these photographs is not merely for the representation of the ‘butch’ female, but also, as explained in her other series, Berlin Lookbook, that “female masculinity is very much present and part of the visual culture in Berlin, not only for lesbian women, but also as a political expression for many heterosexual, feminist Berliners.”
There’s also something about the depth in her eyes, as you will notice in the Truer series— which did catch my attention as the tumblr dashboard flipped images. I’m not saying that because she’s a photographer, it’s necessary that her eyes be beautiful, or that because I’m a writer, my hands have to be stained with ink, but they are beautiful— clear, dark, and full of expression, almost like a lithograph.
Last night to my relief, my sister, her boyfriend and I dragged ourselves away from being dragged into the horrible hole that is King St before paying for an event whose line looked like it had only seen underage kids all night. For the rest of the night, I had whisky, instant noodles and borrowed Nietzsche’s The Gay Science from her boyfriend instead. Nat usually warns me when I don’t realise I’m reading a philosophy book that’s way over my head— if I don’t listen to her and persist, I end up having to put it down like an overly ambitious numbnut. David assured me that this one won’t be and gave me twenty four audio lecture recordings for  reassurance. Being Nietszche’s most personal work, I feel that it’s more accessible than the other books I’ve tried vainly to understand— like Beyond Good and Evil. I couldn’t have gone through reading the book without the lectures, which have helped remove common misconceptions about Nietzsche and explain his hyperbolic writing style and frame of mind. I thought of sharing this quote I read last night: “The strongest and most evil spirits have so far done the most to advance humanity: again and again they relumed the passions that were going to sleep— all ordered society puts passion to sleep— and they reawakened again and again the sense of comparison, of contradiction, of the pleasure of what is new, daring, untried; they compelled men to pit opinion against opinion.’

I’m so touched by what @mamasaysmercy wrote.  Thank you so much.

mamasaysmercy:

Sophia Wallace - Truer (sophiawallace.tumblr.com or sophiawallace.com)

I came across Sophia Wallace on my tumblr dashboard (from a tumblr blog I can no longer recall). Good thing she has tumblr, have a look.

Wallace’s portraits of queer women over a plain background or their daily lives are the opposite of exploitative; and the simple yet confrontational manner in which they look through the camera and at the viewer is of mutual respect— as though a barrier will or must exist, but not as one of exclusion or division but rather in recognition of personal private space of which her subjects have a right to possess. I feel that through her work, proper representation is achieved, and that it’s not something made for the purposes of fetishization or for homophobes to have a laugh at. The significance of these photographs is not merely for the representation of the ‘butch’ female, but also, as explained in her other series, Berlin Lookbook, that “female masculinity is very much present and part of the visual culture in Berlin, not only for lesbian women, but also as a political expression for many heterosexual, feminist Berliners.”

There’s also something about the depth in her eyes, as you will notice in the Truer series— which did catch my attention as the tumblr dashboard flipped images. I’m not saying that because she’s a photographer, it’s necessary that her eyes be beautiful, or that because I’m a writer, my hands have to be stained with ink, but they are beautiful— clear, dark, and full of expression, almost like a lithograph.

Last night to my relief, my sister, her boyfriend and I dragged ourselves away from being dragged into the horrible hole that is King St before paying for an event whose line looked like it had only seen underage kids all night. For the rest of the night, I had whisky, instant noodles and borrowed Nietzsche’s The Gay Science from her boyfriend instead. Nat usually warns me when I don’t realise I’m reading a philosophy book that’s way over my head— if I don’t listen to her and persist, I end up having to put it down like an overly ambitious numbnut. David assured me that this one won’t be and gave me twenty four audio lecture recordings for  reassurance. Being Nietszche’s most personal work, I feel that it’s more accessible than the other books I’ve tried vainly to understand— like Beyond Good and Evil. I couldn’t have gone through reading the book without the lectures, which have helped remove common misconceptions about Nietzsche and explain his hyperbolic writing style and frame of mind. I thought of sharing this quote I read last night: “The strongest and most evil spirits have so far done the most to advance humanity: again and again they relumed the passions that were going to sleep— all ordered society puts passion to sleep— and they reawakened again and again the sense of comparison, of contradiction, of the pleasure of what is new, daring, untried; they compelled men to pit opinion against opinion.’

Posted on Tuesday, June 1st 2010

Reblogged from mama says mercy

Art Opening, When Girls Were Boys and Boys Were Girls

I’m very much looking forward to this show curated by the talented Cora Lambert.  If you are in the NYC area please come and spread the word.

When Girls Were Boys and Boys Were Girls

Grace Moon

Johnny T, 36 x 36”  © Grace Moon

Opening Reception: Friday, February 19, 7-9pm

February 19 - May 22, 2010
Leslie/Lohman
26 Wooster St (between Grand & Canal)
New York, NY

When Girls Were Boys and Boys Were Girls is an exhibition of paintings and drawings by Grace Moon and Jen P. Harris. Focusing on portraiture, the artists use the lens to explore themes of romance, gender and androgyny in queer pop culture. Curated by Cora Lambert.

Referencing cinematic stills, Harris creates closely cropped ink drawings of couples embracing. By slightly altering her characters, she releases herself of heterosexual stereotypes, obscuring their faces and leaving the viewer with a vaguely familiar scene.

With a background in traditional oil painting, Moon shows Western imagery in the way of lineage tradition. Her colorful paintings of gay subjects can be seen in the context of queer identity in a way that is reminiscent of Mapplethorpe and Opie.

This exhibition is presented in the windows of the Leslie/Lohman Gallery and is on view 24/7 from the sidewalk and street only. Best viewing time is after sundown.

Posted on Tuesday, February 16th 2010