This Beautiful Fight

The blog of Sophia Wallace, American artist (b. 1978 Seattle, lives Brooklyn).
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Installation detail with A Pretty Face, 3:30 single channel video by Sophia Wallace which premiered in the exhibition. Photographs shown are c-prints, mounted to aluminum, 24 x 20 in.
 — at KUNSTHALLE wien. View high resolution

Installation detail with A Pretty Face, 3:30 single channel video by Sophia Wallace which premiered in the exhibition. Photographs shown are c-prints, mounted to aluminum, 24 x 20 in.
— at KUNSTHALLE wien.

No fashion, please! – A scream of refusal

Nineteen solo presentations outline the young international photography scene that explores the fundamental relationship between bodies and clothes, the dialectics between the form of the body and its appearance in the second show of the Kunsthalle Wien’s autumn program focusing on photography and fashion. Borders to other disciplines are crossed in both daring and reckless experiments. In the context of the exhibition, clothes and other products of the fashion industry only figure as fragments of a narrative mise-en-scène thematizing the dreams concerned with a changing aesthetic of the body and its ideals. The media strategies employed are manifold and span from staged photographic images, projections, and performances to body sculptures, video and film works.

Participating artists: Chan-Hyo Bae, Tracey Baran, Jeff Bark, Leigh Bowery/Fergus Greer, Steven Cohen/Marianne Greber, Philip-Lorca diCorcia, Matthias Herrmann, Lea Golda Holterman, Izima Kaoru, Luigi & Luca, Sandra Mann, Martin & The evil eyes of Nur, Brigitte Niedermair, Erwin Olaf, Alex Prager, Hanna Putz, Viviane Sassen, Sophia Wallace, Bruce Weber

Curator: Peter Weiermair
Exhibition catalogue: No fashion, please! Fotografie zwischen Gender und Lifestyle | Photography between Gender and Lifestyle. Ed. by Kunsthalle Wien, Gerald A. Matt, Peter Weiermair. With texts by Peter Weiermair and Eugenio Viola; c. 160 pages, German and English; Verlag für moderne Kunst, Nürnberg

Read further 

What looks right, or attractive, in a photograph is often no more than what illustrates the felt “naturalness” of the unequal distribution of powers conventionally accorded women and men. Just as photography has done so much to confirm these stereotypes, it can engage in complicating and undermining them. Susan Sontag – WOMEN 1999
— And I would argue that this applies to race and gender.

What pushed me to pursue photography?

I wanted to communicate beyond the limitations of my spoken language and the time that I live in.

Photography means participating in the mortality, vulnerability and alterability of other people
— Susan Sontag

Pictures from the opening of my solo show, ‘The New Masculine’ up till Nov. 6 in Soho, New York.

Gracias to everyone who came out and shared the night with me; my partner and collaborator Consuelo, my stunning models, my talented printer Ben Diep and Young at Color Space Imaging, to Eric at General Art for the glass in a flash. Thank you to my sister for taking pictures for me, and to everyone who came to the opening, ya’ll are the best. 

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