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The latest artworks, exhibitions and happenings in the studio of Sophia Wallace, a conceptual artist working in mixed media (b. 1978 Seattle, lives in Brooklyn, New York).


COLLECT Limited editions from the studio of Sophia Wallace.

WATCH Profile by ARTE - German TV
WATCH Museum Interview - KUNSTHALLE wien

WEBSITE SophiaWallace.com

#fine art #art #conceptual #art photography #photography #contemporary art #theory #artists on tumblr #gender #queer #race #law #power #the body #text #conceptual #representation #discourse #collect

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Ain’t nobody f*ckin’ with my CLIT, CLIT, CLIT, CLIT, CLIT

Ain’t nobody f*ckin’ with my
CLIT, CLIT, CLIT, CLIT, CLIT 
Ain’t nobody fresher than my muthaf*ckin’
CLIT, CLIT, CLIT, CLIT, CLIT 
As I look around, they don’t do it like my
CLIT, CLIT, CLIT, CLIT, CLIT 
And all these bad bitches, man, they want the
They want the, they want the
CLIT, CLIT, CLIT, CLIT, CLIT

Hip-Hop Legend:
http://www.youtube.com/watch?v=h19x8Wqpkq8
Reppin’ for the CLIT, lyrics appropriated from Kanye

Posted on Thursday, October 18th 2012

Installation detail of CLITERACY, 100 Natural Laws by Sophia Wallace Installation detail of CLITERACY, 100 Natural Laws by Sophia Wallace CLITERACY, 100 Natural Laws in Scenes A Faire at Dumbo Art Center, Brooklyn, NY Sophia Wallace in front of CLITERACY, 100 Natural Laws in her Brooklyn Studio, October 2012.

CLITERACY, 100 Natural Laws © Sophia Wallace 2012. Currently on view at Dumbo Art Center, details below. 

CLITERACY, 100 Natural Laws is mixed media project that explores a paradox;  the global obsession with sexualizing female bodies in a world that is illiterate when it comes to female sexuality. CLITERACY is a new way of talking about citizenship, sexuality, human rights, and bodies. The project reveals the – phallic as neutral – bias in science, law, philosophy, politics, mainstream and even feminist discussion, and the art world - which is so saturated with the female body as subject. Using text as form, CLITERACY explores the construction of female sexual bodies as passive vehicles of reception defined by lack. It confronts a false body of knowledge by scientists who have resisted the idea of a unique, autonomous female body and rather studied what confirmed their assumption that women’s anatomy was the inverse of male anatomy, and that reproduction was worthy of study, while female sexuality was most certainly not. In the last ten years there have been tremendous scientific breakthroughs in the understanding of the clitoris. The clitoris is exponentially larger and more complex than commonly thought. What we think of as the clitoris, is only the tip of the iceberg.  While this discovery is shocking in its late arrival, the problem of global ILLCITERACY is a salient allegory into the bigger problem of a female body, both cis and trans female, constructed by men, with false information, the goal of control and a culture that defines femaleness as inferior and female sexual organs as taboo. CLITERACY builds upon my photographic practice and ongoing exploration of how power shapes knowledge, often through use of the visual, for the purpose of social control. 

CLITERACY
is monumental in scope and scale with 100 Natural Laws that span 10 by 13 feet and a 6 foot neon piece suspended from the ceiling.  CLITERACY, 100 Natural Laws was completed during my Van Lier Fellowship in the Art Law Residency

CLITERACY 100 Natural Laws Scenes a Faire Art & Law Residency Exhibition
On View: Oct. 5-21 at Dumbo Art Center
POSTPONED!! Artist Talk: Sophia Wallace Oct. 16, 7-8:30pm at Dumbo Art Center 
111 Front Street, Suite 212, Brooklyn, NY 11201
Tel 718-694-0831  Email gallery@dumboartscenter.org
Gallery Hours: 12 - 6pm Wednesday - Saturday, 12 - 5PM Sunday

Info & Press Photos: 
CLITERACY 100 Natural Laws 
Sophia Wallace’s Studio:  studio( )sophiawallace.com 

Posted on Wednesday, October 10th 2012

CLITERACY, 100 Natural Laws by Sophia Wallace, 2012, opening night at Dumbo Art Center, Brooklyn, NY. Detail of CLITERACY, 100 Natural Laws by Sophia Wallace Detail of CLITERACY, 100 Natural Laws by Sophia Wallace Detail of CLITERACY, 100 Natural Laws by Sophia Wallace CLITERACY, 100 Natural Laws by Sophia Wallace, 2012, installation view at Dumbo Art Center, Brooklyn, NY CLITERACY, 100 Natural Laws by Sophia Wallace, 2012, installation detail at Dumbo Art Center, Brooklyn, NY CLITERACY, 100 Natural Laws by Sophia Wallace, 2012, installation view at Dumbo Art Center, Brooklyn, NY Sophia Wallace in front of CLITERACY, 100 Natural Laws in her Brooklyn Studio

Installation views of CLITERACY, 100 Natural Laws by Sophia Wallace  

The comments from all you wonderful people. Keep ‘em coming and feel free to propose your own laws. I’m reading all of them. 

CLITERACY 100 Natural Laws Scenes a Faire Art & Law Residency Exhibition
On View: Oct. 5-21 at Dumbo Art Center
111 Front Street, Suite 212, Brooklyn, NY 11201
Tel 718-694-0831  Email gallery@dumboartscenter.org
Gallery Hours: 12 - 6pm Wednesday - Saturday, 12 - 5PM Sunday 

Info & Press Photos: 

CLITERACY 100 Natural Laws 
Sophia Wallace’s Studio:  studio( )sophiawallace.com

Thank you to all who came to the debut of CLITERACY. It was seriously amazing to see the responses. Crowds around the wall laughing, pointing to laws, calling friends to look, camera phones out, one friend got goosebumps, and another cried. It was really something. Holy f****ng CLIT!

Posted on Friday, October 5th 2012

‎Sophia Wallace on German Television, ARTE produced by Tim Lienhard for ARD.  Watch the television program here. See the German version on ARTE here: http://bit.ly/tEVTwA

Sophia Wallace on German Television, ARTE produced by Tim Lienhard for ARD.  Watch the television program here. See the German version on ARTE here: http://bit.ly/tEVTwA

Posted on Monday, November 28th 2011

Lecturing at PhotoPlusExpo NYC - Friday, Oct 28 1:30pm

I’m speaking on a panel at Photo Plus Expo tomorrow. The talk is at 1:30pm at the Javitz Center in New York City.

The panel addresses how online publishing affects photography as an industry. I will be speaking about the ways in which the online space presents vital potential for discourses and subjects who are historically and and currently censored in print. I’ll also be sharing tactical tips for getting your work published online. 

Details:

Fri, Oct 28, 2011 - 1:30 PM to 3:30 PMThe New World of Online Magazines + Curator Websites

Speakers:
Julie Grahame, Founder, aCurator.com
Manjari Sharma
Michael Itkoff
Stella Kramer, Moderator
Sophia Wallace

Tumultuous photography industry changes over the past five years, both in publishing and advertising, have reduced many avenues for emerging and even mid-career photographers to gain entry into the business. But as some doors close, others open, specifically with new online, curated Web sites and online photography magazines. These generally open-submission platforms are creating new avenues for photographers to show their work, and to place their images in front of photo editors, art buyers, gallerists, museum curators and others with an interest in photography. Free from the constraints of advertising demands, these online destinations offer photographers a way for their work to be seen as they like, and the chance to be seen by people all over the world. In this seminar you’ll hear from some of the biggest names in this new photography world, including Michael Itkoff, editor and chief of Daylight magazine and others from the world of photography and design. Moderator Stella Kramer, a Pulitzer prize-winning photo editor brings these new stars of the online world together to tell you the essentials of how they choose the photography they feature, what the submission guidelines are, and what increases your chances of being selected. They will also discuss other online sites, and the future of photography through the increasing prominence of these online magazines and curated forums.

Posted on Thursday, October 27th 2011

What looks right, or attractive, in a photograph is often no more than what illustrates the felt “naturalness” of the unequal distribution of powers conventionally accorded women and men. Just as photography has done so much to confirm these stereotypes, it can engage in complicating and undermining them. Susan Sontag – WOMEN 1999

And I would argue that this applies to race and gender.

Posted on Tuesday, August 16th 2011

Manifesto (of a subjective artist)

The burden falls on the minority to explain itself to the majority. 

I am disillusioned by the relationship between the means of production required to produce images, the privileged position of arbiters who determine which images might be seen and moreover elevated– so often those images prized by the establishment reify their position of power in the world and interest in seeing flattering depictions of themselves. 

I am fatigued by the ratio of art that features nude women photographed by men. I’m disgusted that terrorism is understood in wars fought abroad but not behind closed doors on the bodies of women, children and incarcerated men. Both are horrific and unrelenting.

I’m frustrated that a heterosexual narrative is universal and a queer story is specific.  I’m disgusted that white is normal and black is racialized, that men and women are treated as opposites utterly fixed in their polarities.

These are lies. 

The burden remains on the minority to explain itself to the majority.  I am resigned to this inescapable fact. 

Posted on Friday, November 19th 2010

Lady Power { reflections on self-objectification } by Nancy Bauer

“Gaga wants us to understand her self-presentation as a kind of deconstruction of femininity, not to mention celebrity.  As she told Ann Powers, “Me embodying the position that I’m analyzing is the very thing that makes it so powerful.”  Of course, the more successful the embodiment, the less obvious the analytic part is.  And since Gaga herself literally embodies the norms that she claims to be putting pressure on (she’s pretty, she’s thin, she’s well-proportioned), the message, even when it comes through, is not exactly stable.  It’s easy to construe Gaga as suggesting that frank self-objectification is a form of real power.

http://opinionator.blogs.nytimes.com/2010/06/20/lady-power/

Posted on Friday, July 2nd 2010