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The latest artworks, exhibitions and happenings in the studio of Sophia Wallace, a conceptual artist working in mixed media (b. 1978 Seattle, lives in Brooklyn, New York).


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* I’m interrupting CLITERACY for a special announcement*

Solo exhibition of Truer at Newspace in Portland, OR.

“These photographic prints are raw, honest, thought-provoking and, yes, sexy, no matter what your sexual orientation.”
 

– Richard Speer, The Willamette Week

Truer Solo Exhibition by Sophia Wallace
Newspace Center for Photography
On View: March 1-31
1632 SE 10th Ave.
Portland, OR 97214
503.963.1935 | www.newspacephoto.org

Sophia Wallace’s series, Truer, is a love story. For seven months in 2008-2009 Wallace documented her same sex relationship. The resulting body of work functions as art and as evidence. In response to the absence of queer-narratives outside of the context of fictional lesbian subjects of heterosexual, male fantasies Wallace has created Truer, her personal story told in the first person.

Opening Reception: March 1, 6-9pm
Artist Lecture with Sophia Wallace: March 2, 1:00pm 

http://newspacephoto.org/gallery — in Portland, OR.

Posted on Friday, March 1st 2013

Is it ‘really, really, really cissexist’ to make Art about the Clit?

In response to http://vicoactus.tumblr.com/post/42934010947/cliteracy

Dear Kennedy,

Thank you for your critique.

I appreciate your thoughts and respectfully disagree with some of your conclusions about CLITERACY.  

The clitoris and vulva are the subjects of CLITERACY.  It would be nearly impossible to demonstrate that the clitoris has not been assailed in myriad ways. This continues in the present day. Within this context, the project is ambitious in and of itself. Evidence of this fact is that CLITERACY has already been censored multiple times. I did not attempt to cover all the ground of my politics with regards to gender, race, sexuality and class with CLITERACY. The clitoris and the vulva were my focus. Is it, as you claim, cissexist and transmisogynist to create a project that focuses on the clitoris and the vulva? I find that argument troubling.

Some women have vulvas and clits and some don’t. CLITERACY is not demarcating who can claim which genitals. Rather, the project encourages viewers to talk about the clit, give props to the clit, identify in any way with the clit, call their genitals clits (including cis men) and so on. Personally, I also support people identifying with the phallus when that identification is not about destruction of the idea of the ‘feminine’, but that is not the focus of CLITERACY. It is hard to dispute that the phallus has gotten the vast majority of admiration historically. It is time to show the clit some love.

CLITERACY is not a representational project, nor does it aim to offer answers that are definitive or final. The last law of CLITERACY is, “There are more laws”. This law makes clear that the work is not closed and further invites viewers to write laws that centralize their experience in language that feels right for their bodies. CLITERACY is starting a conversation, I welcome you to intervene by making work that addresses what CLITERACY leaves out. 

The available vocabulary for bodies, sexuality and gender is frustratingly limited, narrow, outdated and flawed. CLITERACY aims to denaturalize some of the problematic language in regards to the clitoris and vulva. What are the words for genitals that you would like to see used for trans and cis bodies? As far as I can tell, there is no consensus. The current lexicon could use some improvement. What is the ‘correct’ language for bodies? Creating language is the responsibility of all of us and future generations. I don’t claim to have all the answers. I’m one person offering my small contributions– work by work– in a much larger discourse.

I look forward to your suggested laws and to seeing new works by artists that address our bodies in language and images that expand beyond the old problematic frames.

Thank you again for taking the time to respond to my project.

very best,

Sophia

Posted on Wednesday, January 9th 2013

Installation detail of CLITERACY, 100 Natural Laws by Sophia Wallace Installation detail of CLITERACY, 100 Natural Laws by Sophia Wallace CLITERACY, 100 Natural Laws in Scenes A Faire at Dumbo Art Center, Brooklyn, NY Sophia Wallace in front of CLITERACY, 100 Natural Laws in her Brooklyn Studio, October 2012.

CLITERACY, 100 Natural Laws © Sophia Wallace 2012. Currently on view at Dumbo Art Center, details below. 

CLITERACY, 100 Natural Laws is mixed media project that explores a paradox;  the global obsession with sexualizing female bodies in a world that is illiterate when it comes to female sexuality. CLITERACY is a new way of talking about citizenship, sexuality, human rights, and bodies. The project reveals the – phallic as neutral – bias in science, law, philosophy, politics, mainstream and even feminist discussion, and the art world - which is so saturated with the female body as subject. Using text as form, CLITERACY explores the construction of female sexual bodies as passive vehicles of reception defined by lack. It confronts a false body of knowledge by scientists who have resisted the idea of a unique, autonomous female body and rather studied what confirmed their assumption that women’s anatomy was the inverse of male anatomy, and that reproduction was worthy of study, while female sexuality was most certainly not. In the last ten years there have been tremendous scientific breakthroughs in the understanding of the clitoris. The clitoris is exponentially larger and more complex than commonly thought. What we think of as the clitoris, is only the tip of the iceberg.  While this discovery is shocking in its late arrival, the problem of global ILLCITERACY is a salient allegory into the bigger problem of a female body, both cis and trans female, constructed by men, with false information, the goal of control and a culture that defines femaleness as inferior and female sexual organs as taboo. CLITERACY builds upon my photographic practice and ongoing exploration of how power shapes knowledge, often through use of the visual, for the purpose of social control. 

CLITERACY
is monumental in scope and scale with 100 Natural Laws that span 10 by 13 feet and a 6 foot neon piece suspended from the ceiling.  CLITERACY, 100 Natural Laws was completed during my Van Lier Fellowship in the Art Law Residency

CLITERACY 100 Natural Laws Scenes a Faire Art & Law Residency Exhibition
On View: Oct. 5-21 at Dumbo Art Center
POSTPONED!! Artist Talk: Sophia Wallace Oct. 16, 7-8:30pm at Dumbo Art Center 
111 Front Street, Suite 212, Brooklyn, NY 11201
Tel 718-694-0831  Email gallery@dumboartscenter.org
Gallery Hours: 12 - 6pm Wednesday - Saturday, 12 - 5PM Sunday

Info & Press Photos: 
CLITERACY 100 Natural Laws 
Sophia Wallace’s Studio:  studio( )sophiawallace.com 

Posted on Wednesday, October 10th 2012

CLIT SWAG & GRATITUDE

Thank you to all who came out to my studio yesterday!!

It was a special opportunity for me to meet you and share an inside perspective on my practice, the complete series #OnBeauty which was never been shown in it’s full form in this country and to debut CLITERACY 100 Natural Laws, the project I have been working on for the last 9 months in my residency.  

I got so much from our conversations. I was delighted by the thoughtful questions and hilarious expressions of clinguistic speech I encountered over the course of the weekend. I will be thinking about you all as I complete the installation over the next three weeks.

The CLITERACY project has been exhilarating and terrifying. At times it’s felt too big, too much for me to do alone. Your support, has galvanized my courage as I move forward with the first exhibition of CLITERACY 100 Natural Laws on October 4th at Dumbo Art Center in Brooklyn. 
 

For those who won a screen print, congratulations!! We will be contacting you this week.
Finally, I want to send a extra big shout out and thank you to my brilliant studio assistants Maggie, Sarah and brand new from Toronto, Kyle. Not only could I not have done it with you you guys, the experience would have been full of anxiety, stress and worry. In short, you guys saved the day and made me laugh constantly. Thank you for being in it, with me. 

Posted on Monday, September 10th 2012

Exhibitions with Catherine Opie, Alex Prager, Erwin Olaf, Kelli Connell, et al.


          APRIL 2012 NEWSLETTER
Art by Sophia Wallace
I’m pleased to invite you to my upcoming exhibition and lecture at PHOTO CENTER NW April 12 & 13. This will be my first show in the verdant city of my youth, Seattle, Washington. I will be exhibiting 3 photographs and a video from the series On Beauty.

The last six months have been transformative. My work was curated in exhibitions in the US and abroad with Catherine Opie, Alex Prager, Erwin Olaf, Bruce Weber and more. While in Europe for the Museum exhibition No Fashion Please! I had the priviledge of being featured on ARTE, a German TV program. No Fashion Please! received extensive press including Italian Vogue, Wall Street Journal, Die Presse and many more. For those who could not make it to Vienna but are interested to see the show, there is a gorgeously printed hardcover exhibition catalog available  on ArtBook and Amazon.

Presently, I am in residence with the ART & LAW Residency Program run by VLA. We meet bi-monthly for critical seminars and will hold an exhibition this fall. Already, the residency is impacting my practice in unexpected and exciting ways. I look forward to sharing more about this experience and especially the new work with you all. 

Thank you for your continued support.

AUTHOR & SUBJECT – Contemporary Queer Photography
PHOTO CENTER NW  | Seattle, Washington
On View: April 5 – May 27, 2012
Participating artists: Sophia Wallace, Kelli Connell, Rafael Soldi, Katie Koti, Adrain Chesser, Steven Miller, Chad States, Lorenzo Triburgo, Molly Landreth, Amelia Tovey
OPENING RECEPTION  | Thursday, April 12th | 6:00 – 9:00PM
After Party party at the Wild Rose in Capital Hill
LECTURE  | Sophia Wallace & Kelli Connell
Friday, April 13th | 6:30 – 8:00PM

For more information, visit PCNW.org
Sophia Wallace and Catherine Opie
Sophia Wallace shows with Catherine Opie
View installation photos of A Fine Line: Private Lives for Public View at Colgate University’s Clifford Gallery. In this four person exhibition, Wallace showed 21 works from the autobiographical series Truer with Catherine Opie, Jason Hanasik and JoAnne Santangelo.
Press Preview No Fashion Please
No Fashion Please! reviews by Italian Vogue, Wall Street Journal, ARTE TV
At KUNSTHALLE Wien Museum in Vienna, 19 international artists reject traditional notions of fashion, gender and beauty. ‘From Jeff Bark’s painterly and perverse “Flesh Rainbow” to Sophia Wallace’s portraits of feminized male models, these daring and reckless experiments veer closer to the ceremonies and rituals of body art than to fashion.’ Download complete press here
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Collect Catalog No Fashion Please!
Copyright © 2012 Sophia Wallace Photography, All rights reserved. 
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Posted on Wednesday, April 11th 2012

INTERVIEW WITH ARTIST SOPHIA WALLACE by Jeanne Vaccaro

Raadiy, No. 2

Conceptual artist and photographer SOPHIA WALLACE donated “Raadiy No. 2” fromthe series Modern Dandy to Sylvia Rivera Law Project’s SMALL WORKS FOR BIG CHANGE. Modern Dandy was a recipient of PDN’s The Curator award 2011 and was Critic’s Pick by the Griffin Museum of Photography 2011. It was selected for Identities Now: Contemporary Portraiture a hardcover book by Peter Hay Halpert Fine Art available Autumn 2012. It also earned honorable mention in Magenta’s Flash Forward 2011. It has been exhibited in numerous galleries including MiLK Gallery this July, the Affordable Art Fair NYC in the spring of 2011, the Chelsea Art Museum for the NUTURE Art and more.  

Jeanne: Tell me about the work you’re donating to SMALL WORKS FOR BIG CHANGE?

Sophia: I selected Raadiy No. 2 from the series Modern Dandy. In this project, I explored the concept of dandyism as a radical rejection of gender normativity and reference a history of dandyism that reaches back to the late eighteenth century. InModern Dandy, the models are represented as fashion icons, linked to a history of black dandyism. Often misunderstood as superficial, dandyism is rather a position of utilizing aesthetic practices on ones body – sartorial elegance, androgyny, beauty – to create a form of freedom.  Dandyism is available to men, women and transgender individuals. This openness is perhaps what makes it so threatening.

Jeanne: Why is it important to you, as an artist, to donate work to the SYLVIA RIVERA LAW PROJECT?

Sophia: Since it’s founding, SRLP has been on the front lines of the gender justice movement. I strongly support their mission to empower individuals to self-determine one’s own gender identity. Moreover, that SRLP specifically targets gender non-conforming populations who are of color and/or poor separates SRLP from organizations who lack an inter-sectional analysis of inequality. The law is a powerful tool that is often out of reach for those who need it’s protection the most. Therefore, SRLP has rightly positioned itself – targeting those who are in the very greatest need of it’s remedies.

Jeanne: How is making art a tool for social justice?

Sophia: It certainly depends on the artist. Art that sells for millions, by millionaire artists who use studio assistants and fabricators to make their work – are supporting an idea of art as the domain of the most elite in our society. In my practice, I explore how subjects are used in pictures to re-inscribe power. Often I use fashion as a Trojan Horse to move past the gates of subconscious prejudice on the part of the viewer. Once inside, I deploy my art. This is necessary, as the medium of photography is often wielded to globalize the notion of the ideal. My work is a discursive response to the imagery that dominates our visual landscape.

Posted on Tuesday, February 21st 2012

Reblogged from WHATEVER JEANNE

Untitled (Purity) from the series On Beauty, ©  2010 Sophia Wallace
If you are in Seattle, please join me at my upcoming exhibition. I’ll be showing photographs and a new video in Author and Subject: Contemporary Queer Photography at PHOTO CENTER NW.
Participating Artists: Kelli Connell, Katie Koti,Molly Landreth, Steven Miller, Adrain Chesser, Rafael Soldi, Chad States, Amelia Tovey, Lorenzo Triburgo and Sophia Wallace.
Author and Subject: Contemporary Queer PhotographyOpening Reception: Thursday, April 12th, 6:00-8:00PMMore info here.

Untitled (Purity) from the series On Beauty, ©  2010 Sophia Wallace

If you are in Seattle, please join me at my upcoming exhibition. I’ll be showing photographs and a new video in Author and Subject: Contemporary Queer Photography at PHOTO CENTER NW.

Participating Artists: Kelli ConnellKatie Koti,Molly LandrethSteven MillerAdrain ChesserRafael SoldiChad StatesAmelia ToveyLorenzo Triburgo and Sophia Wallace.

Author and Subject: Contemporary Queer Photography
Opening Reception:
 Thursday, April 12th, 6:00-8:00PM

More info here.


Posted on Saturday, February 4th 2012

‎Sophia Wallace on German Television, ARTE produced by Tim Lienhard for ARD.  Watch the television program here. See the German version on ARTE here: http://bit.ly/tEVTwA

Sophia Wallace on German Television, ARTE produced by Tim Lienhard for ARD.  Watch the television program here. See the German version on ARTE here: http://bit.ly/tEVTwA

Posted on Monday, November 28th 2011